Nate’s 9
Songs by: Wu-Tang
Clan
As I wind
down to the final chapters of Nate’s Nine, I have to think that songs by my
favorite band would be a category as good as any other. While Pink Floyd and The Beatles are right up
there and I could just as easily do this on their wonderful music, I haven’t
touched on anything Wu-Tang Clan yet. I
may in fact even do that some day, (Floyd and Beatles) but likely with some
other blog concept. You are all well
aware that I like to keep things fresh, at least from the perspective of
writing and I usually run about 50 blogs before I like to change things. The “Blogs with Aiden”, “Blog Trilogies”,
“Blog of the Week” have all done me well, and I think “Nate’s 9” has been great
just because it generates a lot of conversation, plus it has all to do with
lists, and I certainly love those. I’ve
gotten almost 4,000 site views on Nate’s 9 alone, and for all of that, I say
thank you.
Note: Choosing 9 from the 722 songs that I own was
ridiculous and probably a waste of time. For this to be totally accurate, it probably
needed to be Nate’s 242.
Note2: With no disrespect towards 36 Chambers, which will
always be one of the greatest, I won’t be including any of those songs on
here. They are all great and probably
rank from 10-100 in all of Wu-Tang, and while C.R.E.A.M. is their most
recognizable song, it’s the music underneath that is everything that I love.
Note3: Same with A Better Tomorrow. I love the album immensely, and it’s all I’ve
listened to in the last 8 days, but the newness can’t overtake the
greatness. Yet.
#9 – Slang Editorial by Cappadonna. The Pillage is probably one of the more
underrated solo albums that was released by a member of the Wu-Tang Clan, and
Cappadonna really pushes toward stardom with his tight beats and competent
lyrics throughout the LP. I thought that
if The Pillage was going to be his worst, then he would likely reach the
heights of some of the all-time greats. While
that didn’t happen, Slang Editorial is a wonderful solo release with some of
the great one-liners that have been circulated by a member of the Wu. “I came to the fork in the road and went
straight, Right from the crack vial to the Golden Gate ”. Dirty.
#8 – Things Just Ain’t the Same by Masta Killa. Masta kills
it on this track. Usually he just drops
lines casually, and lacks a little bit of pace compared to his Wu
brothers. Not on this one. He goes pretty much from start to
finish. And the beat though.
#7 – Daytona 500 by Raekwon, Ghostface Killah and Cappadonna. Pretty much the first song that got me hooked
on the Wu train. They come out in the
intro just singing. “Light your blunts
and down your beers. Cause you can never fuck with Wu-Tang Killa Bees!” Then it
drops a tight beat and Rae goes nuts in the first verse. Even Cappa and Ghostface bring it. Ol’ Dirty sneaks in for about 2 seconds. The
start of my favorite musical journey.
#6 – Blue Armor by Ghostface Killah & Sheek Louch. Probably the hardest song I think WTC has
ever done. I wasn’t really feeling the
More Fish album by Ghostface, because I thought he was naming it off the legacy
of “Fish” from the Ironman album. That’s
one of his greatest songs, and this entire album was missing the point. (I think he was dropping, just to drop). In any case, Armor goes hard and Ghost and
Sheek absolutely tear it up on this single and it’s easy the best performance
on this album.
#5 – Wu-Gambinos by Raekwon, RZA, Ghostface Killah, Meth,
& Masta Killa. Also known as Lex Diamonds, Bobby Steels, Tony Starks,
Johnny Blaze and Noodles. This
compilation of stars came together for a Mafioso style track that features all
of the artist as gangstas in a story.
It’s probably their best song that not many people have heard of. It would probably be higher on this list, and
I think it stands out as the best song on the best solo album (Only Built 4
Cuban Linx), but not quite made of that top 4 greatness. But, “I call my
brother son cause he shine like one” is one of the best hooks in hip-hop
history.
#4 – 9 Milli Bros by WTC.
It was nice for the entire group to come together one last time before
the untimely passing of ODB. I was
surprised but pleased to see that they put this on one of Ghostface’s solo
joints, as it’s usually something that they do on one of their compilation
albums. Ghostface opens and just kills
it, Rae slows down the vibe, but still spits a nice verse, and then of course
Ol’ Dirty comes in for his 2 second cameo.
The only thing that this one is lacking is a verse from the RZA even
though he does the intro and the production.
Actually, that’s probably good enough.
#3 – Triumph by WTC.
The first time they got all 10 members to throw down together. It’s probably one of their greatest songs and
recognized just as much as C.R.E.A.M. and Gravel Pit. Everyone put a lot of effort into their
verse, and you can really tell. I think
everyone shines on this track, and Rebel INS (Inspectah Deck) probably opens
with the best verse. So many metaphors
and the rhyming skill are superlative. Cappa murders it on here without any
sort of rhyming technique. It was my
favorite for a long time, and still has the potential to return to #1 on most
everyone’s list, including my own. “I’m going to rub your ass till the moon
shine, let’s take it back to 79!!!”
#2 – Protect ya Neck by WTC (The Jump Off) “You know I
had to call, you know why, right?” I love the first one; it was probably one of the hardest
songs to keep off of this list. But this
one... it’s almost the perfect Wu-Tang song in my opinion. Deck’s intro... beautiful. His verse once again is one of the best. Then halfway through the song, RZA’s had
enough. He lays down a beauty, passes it
over to Ghostface and then flips the track and it feels like we’re listening to
something entirely different. U-God,
Cappa and GZA go hard and bring the entire thing home in the last 90
seconds. The only thing it’s
unfortunately missing is Ol’ Dirty, because of some time spent in jail. Never thought this gem would ever be #2, but
it’s only because...
#1 – Rushing Elephants by Raekwon, GZA, RZA & Masta
Killa. This is different than every
other list I read, but only because of 2 things. Everyone agrees that this is a Wu Banga, and
probably their best on “8 Diagrams”. The beat is hot, the rhymes are intense
and everybody brings it in their own style. The reason it stands out for me a
little bit more is because it’s my four favorite artists in the Wu-Tang Clan,
and they’ve never done it this way before.
I know that there are almost limitless ways that Wu could throw down
with, but I never thought it would go this way for me. While I love them all, whenever one of these
4 releases a solo, or spit on a Wu track, I just get a little more excited than
I normally do. They even do it in the
right order (I love when Rae intro’s; GZA’s so chill; RZA goes hard; and Masta
is a quality finisher.) Perfection.
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